Not a good time for watching movies, which is too bad because I went to Barnes and Noble yesterday where they were having one of their 50% off sales on Criterion titles. I got these four:
That's Lewis Allen's The Uninvited, Robert Aldrich's Kiss Me Deadly, Ingmar Bergman's Cries and Whispers, and Seijun Suzuki's Tokyo Drifter. That's two crime films, a horror film, and the intensely painful and insightful portrait of human nature that is Cries and Whispers. Can't wait to watch it again.
Incidentally, the books visible on the upper right are less than half of the books I've been using as research for my upcoming comic. The first twenty four pages of which will hopefully be available for reading before the end of the summer.
While inking and colouring the past couple weeks, I've listened to two Doctor Who audio plays (among many other things), Caerdroia and The Next Life, the last two stories of the Eighth Doctor's "Divergent Universe" series where he and his companions Charley and C'rizz travel through an alternate universe without the TARDIS. Caerdoia is a slightly dreamlike story involving a planet size labyrinth with various elements from the Doctor's and his companions' minds manifesting, including two copies of the Doctor, a gentle and a violent one, like the Star Trek episode "The Enemy Within", the only time I've seen Doctor Who borrow from Star Trek rather than the other way around. Caerdroia also features a minotaur in its labyrinth making--I think--four versions of the labyrinth minotaur on Doctor Who. Alongside The Mind Robber, The Horns of Nimon, and "The God Complex". Wikipedia includes The Time Monster but I don't think that one really sufficiently resembles the minotaur myth.
The Next Life felt like a direct follow-up to the anniversary episode, Zagreus, which began the "Divergent Universe" series. It even has Anneke Wills return as an illusion of Charley's mother--Wills, who played the First and Second Doctor Companion Polly, appeared in the 40th anniversary audio play along with several other former cast members in a role different from the one she originally inhabited. Also appearing this time, for the first time since the 1996 TV movie, is Daphne Ashbrook who played the companion Grace in the American/Canadian pilot. Due to the fact that apparently CBS owns everything about that pilot except things related specifically to Doctor Who as it existed outside the pilot, Ashbrook was not permitted to reprise her role as Grace, instead playing a new character called Perfection whom the Eighth Doctor encounters when he washes ashore alone on a dangerous island. I must say their chemistry is much better--funnier and sexier--here than in the pilot. Such are the wonders accomplished by better writing.