Eyes Wide Shut came out a year before the Perfect Circle album, so if anyone's a crook, it's A Perfect Circle. And now you know.
Lately I've been annoyed by people who seemingly can't relate to anyone of the opposite sex. I've talked to a couple women recently who couldn't get involved with the male characters' story in certain movies. And I watched The Outlaw Josey Wales a few days ago.
I don't think I've seen a movie that is more palpably insensible of its female characters while simultaneously exploiting them. Directed by and starring Clint Eastwood in 1976, the movie takes place at the end of the American civil war, and follows the exploits of a bushwhacker named Josey (Clint). Early in the film, Josey's family is slaughtered by Union officers led by the nefarious Red Legs, so named for his evil red pant legs.
All the Union soldiers in the movie come off as mindless villains while all the Confederate sympathisers are noble, sometimes conflicted men. No one mentions slavery. Why would they?
When it becomes clear the south has no hope, the leader of Josey's bushwhacker gang, Fletcher, is offered a deal by the Union--his group can go free if they give up their arms and swear allegiance to the Union. The whole group grudgingly agrees, except Josey--which is how come he's the outlaw Josey Wales.
The Union ends up going against their word and tries to slaughter everyone but Fletcher who, for some reason, they have a lot of respect for and are going to employ in the hunt for straggler bushwhackers. They succeed in killing all the other bushwhackers, except for one annoying young guy, who Josey rescues by commandeering a gatling gun.
After this, for reasons that are never explained, Fletcher hates Josey fiercely, vowing to hunt him down at all costs.
Thankfully, the annoying young guy dies pretty soon after this, and we're left to bask in Clint's steeliness as he adventures through the country solo. It couldn't last, though, as an old Indian chief caricature joins his party. Another thing about this movie--rife with the Native American stereotypes it is. This particular fellow was a pretty bad actor, too, always conspicuously conscious of being in a movie.
It's soon after that we meet our first female character, who is also Native American, which I suppose makes two strikes against her. She's irritatingly referred to at all times as "the squaw", and is in fact not very different from the squaw bride in The Searchers--a John Wayne movie which I did not find to be racist, despite having a racist main character. In fact, none of the John Wayne movies I've seen are as racist or as sexist as Josey Wales.
Anyway, the Josey squaw, who is at least credited as being named "Little Moonlight", is not given, by the writers, the ability to speak English, despite the fact that when we meet her, she's working at a white man's general store. The man hits and berates her with familiarity, and while Josey ambles about the place, two men proceed to start raping her. Josey seems disinterested until the would-be rapists recognise him and try to capture him for his bounty.
Josey kills them and now, of course, Little Moonlight considers herself his slave. She doesn't do anything else for the rest of the picture except follow him and have sex with the old guy.
Josey, outlaw loner, or not, starts to collect people. He comes across a wagon being raided by bandits--the wagon carries an old woman and a young pretty blond woman, who they begin to rape while Josey watches in consternation from a hiding spot on a nearby hill. The bandits show the audience the woman's breasts and ass and Josey sorta/maybe starts to go for his gun, before the bandits come up with a vague excuse suddenly about needing the woman unspoiled.
Later, Josey defeats the bandits and seemingly acquires another slave girl, this one blond and English-speaking, even if it's only, most of the time, to say things like "Josey!" and "Wait!"
She eventually makes a watch chain for him out of her hair and they fall madly in love. Or something.
The movie has one or two good moments, most of them involving Clint gunfighting--although the final confrontation with Red Legs is rather lame.