Last night's new Twin Peaks may have spent more time actually in Twin Peaks than any previous episode of the new season and it was an exceptionally fast paced episode. With many satisfying developments and answers it also presented some new questions, and it did both these things in the understated manner that makes the inherent mystery of Twin Peaks so nice.
Spoilers after the screenshot
So it's Andy (Harry Goaz) who comes across the truck driven by Richard Horne in the previous episode, a truck that apparently belongs to a new character too nervous for some reason to answer Andy's questions then and there. Gentle, simple Andy might be the wrong man for this job, agreeing to meet the guy in two hours at which point of course the guy doesn't show. There's an added ominous note in the place Andy chooses to meet--the corner of Sparkwood and 21, the same place James last saw Laura Palmer. Maybe it was in Andy's mind from going through Cooper's file. For whatever reason, the familiar synthesiser intro to Laura Palmer's theme playing over a waiting Andy did much to collect more dread.
Another nicely atmospheric, Twin Peaks location moment later in the episode featured Ben Horne (Richard Beymer) and his assistant Beverly (Ashley Judd) trying to track down the source of a faint ringing noise in the Great Northern. The lighting in the hotel was particularly evocative of the old series, the other locations tending to look less familiar because they look better, being locations instead of sets. I like the upgrade but it was sweet seeing something a little more like the old times. And I really liked the multiple ways the scene operates--on the level of spooky atmosphere, on Ben being just a little suggestive while reminiscing about Laura Palmer, and on the hint of flirtation between him and Beverly. And Beverly, true to Twin Peaks form despite being a new character, is soon revealed to have another side to her personality when she goes home to her wheelchair bound husband, Tom (Hugh Dillon).
How many wheelchairs have we seen on Twin Peaks now? The scene most clearly echoes Leo Johnson when Tom seems suspicious and abusive, until the tables turn and Beverly starts getting a bit angrier than the situation calls for. I guess she really does like Ben. Also in a wheelchair was Mrs. Hayward, who's not listed as appearing in this new season, though her husband, Doc Hayward (Warren Frost), did appear last night in an oddly adorable, unexpected Skype scene between him and Robert Forster's Frank Truman.
Watching Robert Forster interact with modern technology makes the entire modern world seem somehow silly. Sorry to have brought you to these times, Mr. Forster, but we're glad you're here. I guess it's not like he's been away--I see now on Wikipedia he did three episodes of Teenage Mutant Ninja Turtles. What the fuck. Well, okay, that newer Ninja Turtles show isn't actually that bad, I've seen part of the first season.
Last night's Twin Peaks began with Jerry Horne (David Patrick Kelly) lost in the woods. It's nice seeing the Horne brothers with a little more material than in the odd, brief scene in the season's first episode. The more episodes I see, the more cohesive it all feels and I can see now why Lynch considers the season more like an eighteen hour movie than a series of episodes. All the same, I'm glad he didn't release them all at once because, as much as I'm normally not given to binge watching, I know I'd shut myself in to watch all of these in one go if I could.
Jerry seems to be having a bad trip and he's worried about his stolen car, dialogue that in retrospect seems like he might be psychically channelling the scene in Dougie Jones' office where the still sleep walking Cooper (Kyle MacLachlan) answered questions about his car. This was just before one of the more enjoyable moments in the series so far when Cooper suddenly became a man of action to thwart the hitman, Ike (Christophe Zajac-Denek).
And then Lynch puts the cherry on top with an appearance by The Arm, egging Cooper on to squeeze off the assassin's hand. It's one of those moments where you realise a man travelling between an earthly and spiritual plane looks quite a bit like a dangerous lunatic. That blurred edge makes everything more intriguing, much like the multiple layers in the other scenes.
The scene's also likely Lynch's revenge on Michael J. Anderson, the actor who originally played The Arm, also known as The Man from Another Place, in the original series before making slanderous statements about Lynch following his failed effort to get more money out of the director. Ironically, it was in an interview with Anderson that I learned how the famous tailgating scene in Lost Highway was made after Anderson witnessed Lynch being tailgated by an asshole motorist. Now we see the character Anderson used to play urging Cooper to mutilate a villainous little person. Among other things, it seemed like Lynch saying loud and clear, "This character ain't yours anymore, motherfucker."
Another highlight of the episode was Laura Dern as Diane, brought to interrogate the bad Cooper despite her marked reluctance. It seems clear the bad Cooper raped her shortly after the events of the second season though this is never explicitly stated. It doesn't have to be, it's entirely in Dern's performance, which speaks volumes, and the way she toasts the FBI. We can see clearly someone whose whole life was upended years ago when someone she thought she could trust betrayed her in a fundamental way. Having a great actress, and a director who knows what she's capable of, makes a very, very big difference.
Or maybe I should say "yrev". I didn't notice that bad Cooper had said one of his verys backwards the first time though I did see people online pointing it out. Last night's episode charmingly just assumed everyone had noticed. I loved Gordon (David Lynch) counting the words on Tammy's (Chrysta Bell) fingers.
I also really loved how this episode ended with just a little slice of life in the RR. I want a whole night's worth of footage.