You know whose bad side you don't want to be on? Morrissey's.
True-to-you.net has a sort of wonderful statement from Morrissey regarding New Musical Express's recent attempt to cast him as a racist. Not only does he soundly refute them, he takes the time to eviscerate them. Some of my favourite bits;
"The wit imitated by the 90s understudies of Morley and Burchill assumed nastiness to be greatness, and were thus rewarded. But nastiness isn't wit and no writers from the 90s NME survive. Even with sarcasm, irony and innuendo there is an art, of sorts. Now deep in the bosom of time, it is the greatness of the NME's history on which the 'new' NME assumes its relevance."
. . .
"I do not mean to be rude to Tim Jonze, but when I first caught sight of him I assumed that someone had brought their child along to the interview. The runny nose told the whole story. Conor had assured that Tim was their best writer. Talking behind his hands in an endless fidget, Tim accepted every answer I gave him with a schoolgirl giggle, and repeatedly asked me if I was shocked at how little he actually knew about music. I told him that, yes, I was shocked. It was difficult for me to believe that the best writer from the "new" NME had never heard of the song 'Drive-in Saturday'; I explained that it was by David Bowie, and Tim replied 'Oh, I don't know anything about David Bowie.' I wondered how it could be so - how the quality of music journalism in England could have fallen so low that the prime 'new' NME writer knew nothing of David Bowie, an artist to whom most relevant British artists are indebted, and one who single-handedly changed British culture - musically and otherwise."
. . .
Most of yesterday was spent on an aspect of the new project I'd kind of underestimated. Something I vaguely expected to take a couple hours took just about all day. Then I played three hours of Jedi Academy. I took some screenshots of a couple lovely maps by a fellow named Living Dead Jedi;
( Bespin and TatooineCollapse )