The Extra Reality
I have a huge backlog of pictures not necessarily related to Comic-Con, some of the best of which I'll post now.
This is a pretty little river I walked across to get to the smaller convention centre to pick up my badge on Wednesday before the Con. It provides a path between the mall and hotel.
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I've been watching plenty of movies, too--mostly familiar films I've been showing to
The weakest aspect of the film was its protagonists, played by Luke Wilson and Maya Rudolph, written as being the sort of mildly dumb normal folks typically seen on sitcoms. In the environment of the moronic future, there really needed to be a straight man for contrast, but Rudolph and Wilson come across more like characters from another movie. A lot of the satirical culture was great, though, twisted guy I am, I think I'd have found it funnier if the people obsessed with brainless violence and sex were actually murderers and rapists. But I understand why Judge didn't go that route--in a sense, one could look at the world in Idiocracy as being a world of Beavises and Buttheads, and it does feel like Judge is accessing the same point of view here. Though I think the reason I find Beavis and Butthead to be a stronger work is that Judge clearly developed more affection for those two than he did for the people in Idiocracy.
Twitter Sonnet #167
Hardened paper passes plastic's front line.
Suspicious bread is halted by pastry.
Stale mint needles are woven into pine.
Sequoia has grown tired of history.
Purple eyes sink to the back of the head.
A long story spills into the spinach.
Whiskey packs into the girl on the bed.
Drowsiness is the fantastic finish.
Ultimate apples fly to the ceiling.
Clouds of paste stink as hot, melted rain drops.
Dead prosthetic tooth limbs lose all feeling.
Party arteries with confetti pop.
Grapes race round biomechanical tubes.
Carny satyrs fall asleep on soft rubes.