I lost a game of chess to a Maori while I was drinking it. But maybe that was inevitable.
I got the INLAND EMPIRE soundtrack yesterday, and I'm really enjoying it. It's weird having a David Lynch movie soundtrack that doesn't feature Angelo Badalamenti--most of the original music is by Lynch himself--but there are nonetheless stylistic similarities, similarities I don't find in Badalamenti's work outside of his David Lynch projects (such as the soundtrack for Secretary or the theme from Inside the Actor's Studio). I'm wondering if things like the eerie, isolated bass were Lynch's idea all along.
Here's another great soundtrack featuring Polish composers, too. I still need to do some real investigation of that scene.